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A bit too safe in its handling of its Nazi Germany setting, The Book Thief counters its constraints with a respectful tone and strong performances. Geoffrey Rush and Sophie Nélisse in The Book Thief () Nico Liersch and During the book-burning sequence, a cage-like sub-structure can be seen else , this is a film that promotes such qualities as self-sacrifice, courage in the face of . Presentazioni dei film: Storia di una Ladra di Libri (The Book Thief) Nonton Film How to Lose a Guy in 10 Days Subtitle Indonesia. Comedy.
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View All Photos. Movie Info Based on the beloved international bestselling book, The Book Thief tells the story of an extraordinary, spirited young girl sent to live with a foster family in WWII Germany. Intrigued by the only book she brought with her, she begins collecting books as she finds them.
With the help of her new parents and a secret guest under the stairs, she learns to read and creates a magical world that inspires them all. Brian Percival. Michael Petroni. Mar 11, Geoffrey Rush as Hans.
Emily Watson as Rosa. Ben Schnetzer as Max. Nico Liersch as Rudy. Roger Allam as Death, Narrator. Heike Makatsch as Liesel's Mother. Julian Lehmann as Liesel's Brother. Gotthard Lange as Grave Digger.
Rainer Reiners as Priest. Kirsten Block as Frau Heinrich. Ludger Bokelmann as Football Urchin 1. Paul Schalper as Football Urchin 2. Oliver Stokowski as Alex Steiner. Robert Beyers as Jewish Accountant. Hildegard Schroedter as Frau Becker. Levin Liam as Franz Deutscher.
Sandra Nedeleff as Sarah. Rafael Gareisen as Walter Nazi Soldier. Carina Wiese as Barbara Steiner. Rainer Bock as Buergmeister Hermann.
Barbara Auer as Ilsa Hermann. Matthais Matschke as Wolfgang. Beata Lehmann as Woman with Champagne. Laina Schwarz as Neighbor.
Marie Burchard as Neighbor. Georg Tryphon as Neighbor. Martin Ontrop as Herr Lehmann.
Jan Andres as Fellow Conscript. Stephanie Stremler as Post Woman. Critics Consensus: Frozen is Certified Fresh. The Dark World is Pretty Strong. Jan 2, Full Review…. Was the girl's mom, as is hinted, a communist? Why would this couple, who barely have enough to eat, take in an unknown child to care for? Such are the questions the movie ignores as it gallops along to history's accelerating drumbeat.
Here's another: How is it that Liesel, mocked by her new schoolmates for being illiterate, quickly morphs not just into a reader but one so adept and voracious that she's soon swiping books from the local burgermeister's library?
This valorization of reading is a transparent come-on in many books aimed at young readers. Whatever its source, her newfound passion is one she shares with Max Ben Schnetzer , a young Jewish guy the kindly couple hide in their basement.
And of course, the Nazis hate books, as they demonstrate by burning a heap in the town square. Advertisement Our heroine's bookishness, meanwhile, is mainly a source of bemusement to Rudy Nico Liersh , the flaxen-haired neighbor boy who befriends and dotes on her.
In a different, more reality-based movie, their relationship would be a coming-of-age romance. But though the characters here age from 13 to 17 during the story, at the end they look exactly like the barely pubescent kids they were when it started, and the troubling excitements of eros never arise.
That ostensibly strange fact is perhaps explained less by the obvious constraints of filming the same actors in a short production schedule than by the have-your-cake-and-eat-it-too logic that guides so many fantasy narratives. In this realm, people supposedly grow up, yet at the same time remain magically innocent and unchanged. Likewise, history: the mean old Nazis hound Max and march sad-looking Jews down the street, but we never see what happens to those Jews—they remain vaguely wistful images divorced from the cruel reality of their corporeal fates.
While director Percival "Downton Abbey" elicits estimable performances from his cast, especially Nelisse, Rush and Watson, the visible world he embeds them in looks like a set from an old studio movie or a '50s TV sitcom.
Heaven Street, the provincial thoroughfare is called, and its airbrushed quaintness is as dreamily reassuring as John Williams' score, despite or because of?